Paradis Films<\/a>)<\/figcaption><\/figure>\n\n\n\nDans la nuit, chaque d\u00e9tail est apparent. Ainsi, le r\u00e9alisateur pr\u00e9f\u00e8re d\u00e9caler sa perspective et respecte presqu\u2019au millim\u00e8tre pr\u00e8s la r\u00e8gle de la photographie des trois parties (r\u00e8gle des tiers). Vous ne verrez jamais un plan mal tourn\u00e9 dans ce film.<\/p>\n\n\n\nFilm : In the mood for love<\/em><\/strong> (2000) de Wong kar-wai<\/figcaption><\/figure>\n\n\n\nEt quand les personnages sont au centre de l\u2019image, le plan est suffisamment suggestif et \u00e9vocateur, tant qu\u2019on n\u2019a plus besoin de voir le personnage. C\u2019est l\u2019\u00e9crasante ombre d\u2019une silhouette humaine qui d\u00e9crit l\u2019absurdit\u00e9 de la situation ou le poids terrible de la solitude.<\/p>\n\n\n\nFilm : In the mood for love<\/em><\/strong> (2000) de Wong kar-wai<\/figcaption><\/figure>\n\n\n\nFilm : In the mood for love<\/em><\/strong> (2000) de Wong kar-wai<\/figcaption><\/figure>\n\n\n\nEt quand l\u2019image est satur\u00e9e et centr\u00e9e, elle \u00e9loigne tout de m\u00eame les personnages, en y absorbant toute chaleur \u00e0 la sc\u00e8ne. La perspective n\u2019est plus que celle d\u2019un repas froid et inanim\u00e9, silencieux et distant.<\/p>\n\n\n\nFilm : In the mood for love<\/em><\/strong> (2000) de Wong kar-wai<\/figcaption><\/figure>\n\n\n\nBref, l\u2019esth\u00e9tique c\u2019est important et \u00e7a raconte des choses. Les images sont frappantes. Elles restent d\u2019autant plus dans nos m\u00e9moires, qu\u2019elles deviennent des motifs r\u00e9p\u00e9t\u00e9s dans d\u2019autres films ou bien des affiches tr\u00f4nant au-dessus de nos bureaux ou encore des \u00ab memes<\/em> d\u2019internet \u00bb. D\u2019ailleurs, la suite au prochain num\u00e9ro ! Parce que j\u2019ai encore plein de choses \u00e0 dire.<\/p>\n\n\n\nPar Tal Amani<\/p>\n","protected":false},"excerpt":{"rendered":"
L\u2019esth\u00e9tique au cin\u00e9ma, \u00e7a passe par l\u2019image et la photographie : les lumi\u00e8res, les d\u00e9cors, le style. D\u00e9cryptage de films comme In the mood for love de Wong kar-wai ou des films de Sofia Coppola et d\u2019Apichatpong Weerasethakul<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[17,21,22,20,18,23,19,8],"class_list":["post-35","post","type-post","status-publish","format-standard","hentry","category-cinema","tag-cine-a","tag-cine-c","tag-cine-i","tag-cine-l","tag-cine-m","tag-cine-s","tag-cine-t","tag-cinema"],"_links":{"self":[{"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=\/wp\/v2\/posts\/35","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=35"}],"version-history":[{"count":4,"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=\/wp\/v2\/posts\/35\/revisions"}],"predecessor-version":[{"id":111,"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=\/wp\/v2\/posts\/35\/revisions\/111"}],"wp:attachment":[{"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=35"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=35"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tassadanslesmyriades.fr\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=35"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}